Caroline Christie-Coxon is a Western Australian artist whose interdisciplinary practice explores humanity’s relationship with the living world through photography, sculpture, installation, lens-based media, public art, and site-responsive artistic interventions. Developed over more than three decades, her work investigates themes of connection, interdependence, belonging, and ecological consciousness through direct engagement with landscape and place.

Born in South Africa and migrating to Australia in 1996, Christie-Coxon’s practice has been shaped by experiences of cultural transition and an awareness of how histories, identities, and systems of power influence both people and landscapes. Moving between a country marked by profound social and political division and an Australia continuing to negotiate the legacies of colonisation and truth-telling has informed an ongoing interest in the spaces between separation and connection, difference and commonality, individual experience and collective belonging. Early exposure to African art, a personal inquiry into non-hierarchical and transcendental knowledge underpins her interest in alternative cultures and spiritual paradigms. Her work resonates with universal circular forms — from contemporary ecological thought to pre-literate mark-making, the Zen Ensō and the ancient ouroboros — not as reference, but as universal human language.

Exhibiting internationally, she is building a rigorous and self-directed practice with select collaborations. Recent exhibitions in Europe include presentations in Switzerland and Italy,

with curator Diana Segantini, notably at Galleria Sonne, Silvaplana, and Villa Arconati, Milan, THE I.C.E. Art in Motion, alongside projects connected to St. Moritz and Zurich during key art and cultural events. Her 2025 monograph Circle Culture, published by SKIRA Arte Milan and distributed by Thames & Hudson, marks a significant contribution to her international profile.

In Australia, her work is held in major public contexts through significant commissions, including large-scale public projects for the Western Australian Public Transport Authority (Alkimos Station), and multiple civic collections, reflecting an ongoing commitment to embedding conceptual and ecological thinking within public space.

Working with minimal impact and deep respect for place, Christie-Coxon creates temporary interventions using the body, Soft Paintings, sculptural forms, circles, and elemental forces.. These ephemeral encounters are documented through photography and video, capturing moments of presence, vulnerability, wonder, and reflection within natural environments.

Through Circle Culture and the Fluid Loop, she reframes these structures for the present, linking ancient wisdom with the urgent need to remember humanity’s place within a shared planetary system.

In the age of the Anthropocene, her work explores circularity and union with Nature while exposing the consequences of human disassociation and the fractures produced by modern systems—inviting a re-sensing of interconnectedness.