SOFT SCULPTURES

Soft Sculptures emerge as a natural progression from Soft Paintings, extending this material logic into a form of ‘sculptural painting’. These porous forms retain the fluidity and responsiveness of textile-based painting while occupying space as sculptural presence.

Allowing form to shift rather than remain fixed, they resist solidity and permanence, proposing instead a sculptural language grounded in transition, adaptation, and exchange. Sculptural Painting proposes a hybrid language where painting and sculpture converge, grounded in process, relation, and impermanence.

Operating between object and environment, Soft Sculptures invite a reconsideration of form as something open and relational — shaped as much by external conditions as by its own material structure.